Why Yes, I Am Overthinking My Work, Why Do You Ask?

Why Yes, I Am Overthinking My Work, Why Do You Ask?

When it comes to my personal writing, I’m usually working on several pieces of fiction at once. All of my writing is important to me, of course, but some stories are more important than others. It doesn’t mean I value the others any less. It just means that I feel a stronger sense of urgency about these stories, or I have a deeper connection to them. You know how it is.

I’ve been working on one of these extra-important stories for over a year now. A dear friend of mine has patiently listened to me talk about it and answered many of my questions. The other day, I told her that I’d finally got one of the characters and several scenes figured out.

“That’s really great,” she said, “but you’ve been spending a long time getting this story right instead of writing something new.”

Now, taken out of context, it might sound like my friend was being dismissive, but I can assure you that she wasn’t. She’s always been helpful and supportive, and she was also absolutely correct. I had been obsessing over getting this story right and worrying about every little detail. And here’s the kicker – hardly anyone was going to read it! This story will be shared with maybe five friends. Maybe. And that’s it. Yet here I am, fussing over every single aspect.

If you’re also an overthinker, then you know exactly why I was worrying about every little detail. We have to get things right. We insist on the words exactly matching the images in our heads and the emotions in our hearts. Our writing means something to us. We can’t simply dash something off and call it a day. No, it needs to be high quality or nothing.

The way I see it, overthinking is the flip side of our commitment to quality. We care about what we write and we want to do our best. This is pretty admirable! We simply get caught up in thinking rather than taking action. That’s all.

So here is a gentle reminder for both you and me: let’s loosen our hold, just a little bit. This might involve taking a short break or working on something new for a while. Or it could mean taking a step back, reviewing what we’ve done and being completely honest about our progress.

Then let’s go and do some writing. No overthinking, just writing. Allow the words to flow instead of forcing them into a pre-determined shape. Trust that the words know what they’re doing, and that they’ll get themselves just right, without too much fussing from us.

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This week’s prompts

Use the following prompts to start a new piece, continue an existing one, or to just have fun with words.

1. The air conditioner flew further than any air conditioner had flown before.
2. A delicate petal floated…
3. If you could be a cloud for just one day, upon whom would you target your rainfall and why?
4. The bell jingled, signalling the…
5. The fluffy ball shot over the fence and…

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Questions? Suggestions? Feel free to drop me a line at zee@twomarshmallows.net. Use the sign up box to receive the newsletter (and future offers) directly. You can also follow or contact me via Facebook, Linked In, YouTube or Tumblr.

Words

Hi everyone! Time for another newsletter. I’d planned to write about something else, but this came out instead.

I’m putting together a writing course for people who want to write but find it difficult to get started. More details to come, but feel free to send me an email if you have any questions or would like to know more now.

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Words

Words don’t care what you look like. Words don’t care what you wear, where you come from, your age or your job. Words don’t care if you don’t have a diploma. Words don’t care if you do.

Words don’t care if you’re sad, happy, bored, excited, curious, lazy, studious, energetic, laid-back, loud, quiet, scared or mean. Words don’t care if you were rude to a stranger or if you were nice to your kids, or the other way around. Words don’t care if you think you’re a good person, a bad person or somewhere in between.

Words don’t care what other people think of you.

Words have a pretty carefree existence. All they want is for us to write them down. If you don’t feel like writing at the moment, then the words will stay on your mind, patiently going round and round in your head, until you’re ready to get them out.

Words don’t mind being moved around and rearranged. They don’t even mind being erased or crossed out – words know that they’ll simply be placed somewhere else when the time is right.

Sometimes, people ask me to write something for them, or ask me to help them with something they’ve written. Words are my bread and butter.

You can use words to do anything you want. Want to go to another planet? You’re there. Want to go back in time? Done. Want to tell the world how you truly feel? You can. Want to reach someone on the other side of the world? Easy. Want to reach lots of people all over the world? Go online and it’ll happen in a flash.

Words bring you comfort; words bring you joy. Words can destroy you. Words can ruin your day. Words are weapons and shields and the stuffed toy you had as a child that was your whole world.

Arrange words in the right way and you can accomplish miracles.

I was asked recently if I could think of a moment when everything flowed; when I was so engrossed in what I was doing that time didn’t fly by, it stood still. My answer was immediate – yes, when I’m writing. When I’m immersed in words, time does more than stand still. Time doesn’t even exist.

We can lose ourselves in writing because words will always be there for us. Because there are so many words that we will never run out of them. Because there is so much for us to say. Because words will make sure we never truly lost and that we will always find our way home.

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This week’s prompts

Use the following prompts to start a new piece, continue an existing one, or to just have fun with words:

1. “When I was your age…”
2. A small, shiny foil…
3. My headphones are…
4. Help, my crowbar is covered in glitter!
5. I hit refresh and…

Questions? Suggestions? Feel free to drop me a line at zee@twomarshmallows.net. Use the sign up box to receive the newsletter (and future offers) directly. You can also follow or contact me via Facebook, Linked In, YouTube or Tumblr.

Writing Lessons from ‘The Simpsons’ (II)

Of all the characters on the show, Lisa Simpson should be the one most capable of writing a book. Even though she’s only eight, she’s smart, academically gifted and she has a good command of language. When the time comes, though, and she has her opportunity, things don’t go as expected.

In the episode The Book Job (season twenty-three, episode six), Lisa and her father, Homer, discover that publishing agencies use ghost writers to churn out best-selling books, mostly in the young-adult genre.

Homer immediately sees dollar signs and he puts together a team, promising them a cut of the money. Lisa is appalled at both the manipulation of the readers and Homer’s mercenary attitude. She decides to write her own book, believing that a person should write for the love of the story, not money. While Homer’s team is busy writing, however, Lisa does the following:

• Puts on music for inspiration;
• Organises her CD collection;
• Plays game after game of online Boggle;
• Goes to write in a coffee shop, but instead spends her time setting up the wi-fi and buying coffee;
• Builds an intricate structure from wooden pencils;
• Watches cat videos;
• Obsesses over a smudge on the window before cleaning the entire pane, inside and out;
• Watches all five seasons of Friday Night Lights.

I love this episode and laugh every single time because I very much see myself in Lisa. How many excuses and distractions did I come up with to avoid writing? How many pointless activities did I pursue instead of sitting down and writing? Too many, I’m afraid. My all-time favourite is abandoning work to try and find out what dust was made of. The runner-up is writing my name on the underside of my stapler with white correction fluid…because then if someone broke into the house and stole my stapler, they wouldn’t be able to sell it? I don’t know, it seemed important at the time.

The lesson of this episode is two-fold. First, the only way to write is to sit down and write. Homer’s team did just that. Yes, they were purely motivated by profit. Yes, their story was basically a by-the-numbers supernatural mystery. But they did the work. They created their characters, put together a plot, and then sat down and wrote.

Second, we need support, especially if we’re writing on our own. Homer’s team did have it a little easier, and not just because Neil Gaiman brought them food. They worked as a group, and were able to keep each other focused and on track. I do wonder whether Lisa would have written her story if she’d had just one sympathetic person to support her.

You might write on your own but you’re not alone. Turn to someone if you need help or a sympathetic ear. You can even write to me if you want. I’ll help if I can and be honest if I can’t. And remember that if there’s one constant in this world, it’s that there will always be distractions. They’re not going anywhere. If you ignore them and write, you’re a success, whether you make money or not.

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This week’s prompts

Use the following prompts to start a new piece, continue an existing one, or to just have fun with words:

1. A wooden stake…
2. “What’s that on your head?” said…
3. The staircase spiralled…
4. Colourful cushions galore!
5. The pond wasn’t filled with water but…

Questions? Suggestions? Feel free to drop me a line at zee@twomarshmallows.net. You can also follow or contact me via Facebook, Linked In, YouTube or Tumblr.

Pick Two

The audio version of this newsletter can be found here.

Pick Two

All of us, no matter who we are, want our products and services to be three things: good, fast, and cheap. It’s not possible. So we pick two.

This applies to writing as well. We all want to produce high quality texts in a short amount of time and while expending the least amount of energy. It’s not going to happen. Thankfully, the solution is easy: pick two.

Fast and cheap: This is a good option for first drafts, when you’re overthinking the writing process, or when you’re procrastinating. Choosing ‘fast and cheap’ means you are going to sit down and write without worrying about quality. In this way, you can complete a piece relatively quickly and without expending too much energy. Once you’ve got that first draft, then you can revise it so it meets your standards.  At this moment, though, your focus is on getting results.

Fast and good: This option is for the writer’s equivalent of the final sprint towards the finish line. Your piece (or a section of your piece) is nearing completion and you want to get it done as soon as possible. So you set aside a block of time for revising and editing, during which you will do nothing but focus on quality. It can be a very intense experience and it requires a fair amount of energy, which is why it won’t be cheap. But it will be worth it.

Cheap and good: Slow and steady wins the race. This is the option most suited to medium- or long-term projects. Time isn’t of the essence, but consistency is. You achieve results by doing a small amount every day. Writing this way will require patience and dedication, but it’s an inexpensive way of producing a text. That small amount you do every day will add up to so much more. Since you have the time to craft the piece, you can relax and focus on getting the words right, instead of getting them done right now.

 

Whenever you’re feeling frustrated with your writing because you want it all this instant, just remember that the solution is easy. Pick two. Then get to work.

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This week’s prompts

Use the following prompts to start a new piece, continue an existing one, or to just have fun with words.

1. Oh no you did just not
2. “This will require the removal of my earrings,” said…
3. The purple blanket covered…
4. The system stalled…
5. Time flew by and…

Questions? Suggestions? Feel free to drop me a line any time at zee@twomarshmallows.net. You can also follow or contact me via Facebook, Linked In, YouTube or Tumblr.